Bury Me - Revision history

A-Dust: /* Classicvinewood.com's description */

2014-12-24T15:24:42Z

Classicvinewood.com's description

← Older revision		Revision as of 15:24, 24 December 2014
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	==Classicvinewood.com's description==		==Classicvinewood.com's description==
	{{quote\|"Post Traumatic Stress Disorder at its very shallowest"		{{quote\|"Post Traumatic Stress Disorder at its very shallowest"
	An experimental surrealist film, entirely self-financed by Dreyfuss at the height of his drug use. Universally lambasted by critics in the 1970s, "Bury Me" was resurrected and misinterpreted as cool by nerds and hipsters in the early 2000s and is now widely ~~accalaimed~~ as a classic. Badger McGinnis, played by a young Bill Anthony, is a [[Vietnam]] veteran who lives a hermitic existence in a remote New Mexico town. He spends his days digging a hole in his front yard, which was intended to be a Sisyphean allegory for his inability to process or move on from the horrors of war. However, it's essentially just 40 minutes of a man silently digging a hole interspersed with flashbacks of harrowing village massacres; featuring a ~~lof~~ of Koreans, [[China\|Chinese]] and [[Japan\|Japanese]] actors playing Vietnamese families. About halfway through the movie, a foul-mouthed paraplegic woman called [[Jenny]] shows up who manages to connect with Badger and bring him out of his shell. After they take acid and have awkward sex in the hole - a bizarre scene in which Badger's penis intermittently turns into a bayonet - Jenny reveals herself to be a marine from his old unit who is undergoing gender reassignment treatment. At the denouement, we learn that Badger never made it out of Vietnam alive and the entire movie has been one long 120-minute death hallucination. The film ends with Badger walking down into his hole, where we see the flames of hell burning in the distance. His final word, and the only line of dialogue, is "[[Simon]]", which is never explained but has been over-analysed in graduate media studies theses ever since.}}		An experimental surrealist film, entirely self-financed by Dreyfuss at the height of his drug use. Universally lambasted by critics in the 1970s, "Bury Me" was resurrected and misinterpreted as cool by nerds and hipsters in the early 2000s and is now widely acclaimed as a classic. Badger McGinnis, played by a young Bill Anthony, is a [[Vietnam]] veteran who lives a hermitic existence in a remote New Mexico town. He spends his days digging a hole in his front yard, which was intended to be a Sisyphean allegory for his inability to process or move on from the horrors of war. However, it's essentially just 40 minutes of a man silently digging a hole interspersed with flashbacks of harrowing village massacres; featuring a lot of Koreans, [[China\|Chinese]] and [[Japan\|Japanese]] actors playing Vietnamese families. About halfway through the movie, a foul-mouthed paraplegic woman called [[Jenny]] shows up who manages to connect with Badger and bring him out of his shell. After they take acid and have awkward sex in the hole - a bizarre scene in which Badger's penis intermittently turns into a bayonet - Jenny reveals herself to be a marine from his old unit who is undergoing gender reassignment treatment. At the denouement, we learn that Badger never made it out of Vietnam alive and the entire movie has been one long 120-minute death hallucination. The film ends with Badger walking down into his hole, where we see the flames of hell burning in the distance. His final word, and the only line of dialogue, is "[[Simon]]", which is never explained but has been over-analysed in graduate media studies theses ever since.}}

	==Classicvinewood.com's comments==		==Classicvinewood.com's comments==

A-Dust at 15:23, 24 December 2014

2014-12-24T15:23:59Z

← Older revision		Revision as of 15:23, 24 December 2014
Line 7:		Line 7:
	==Classicvinewood.com's description==		==Classicvinewood.com's description==
	{{quote\|"Post Traumatic Stress Disorder at its very shallowest"		{{quote\|"Post Traumatic Stress Disorder at its very shallowest"
	An experimental ~~filsurrealist~~ film, entirely self-financed by Dreyfuss at the height of his drug use. Universally lambasted by critics in the 1970s, "Bury Me" was resurrected and misinterpreted as cool by nerds and hipsters in the early 2000s and is now widely accalaimed as a classic. Badger McGinnis, played by a young Bill Anthony, is a [[Vietnam]] veteran who lives a hermitic existence in a remote New Mexico town. He spends his days digging a hole in his front yard, which was intended to be a Sisyphean allegory for his inability to process or move on from the horrors of war. However, it's essentially just 40 minutes of a man silently digging a hole interspersed with flashbacks of harrowing village massacres; featuring a lof of Koreans, [[China\|Chinese]] and [[Japan\|Japanese]] actors playing Vietnamese families. About halfway through the movie, a foul-mouthed paraplegic woman called [[Jenny]] shows up who manages to connect with Badger and bring him out of his shell. After they take acid and have awkward sex in the hole - a bizarre scene in which Badger's penis intermittently turns into a bayonet - Jenny reveals herself to be a marine from his old unit who is undergoing gender reassignment treatment. At the denouement, we learn that Badger never made it out of Vietnam alive and the entire movie has been one long 120-minute death hallucination. The film ends with Badger walking down into his hole, where we see the flames of hell burning in the distance. His final word, and the only line of dialogue, is "[[Simon]]", which is never explained but has been over-analysed in graduate media studies theses ever since.}}		An experimental surrealist film, entirely self-financed by Dreyfuss at the height of his drug use. Universally lambasted by critics in the 1970s, "Bury Me" was resurrected and misinterpreted as cool by nerds and hipsters in the early 2000s and is now widely accalaimed as a classic. Badger McGinnis, played by a young Bill Anthony, is a [[Vietnam]] veteran who lives a hermitic existence in a remote New Mexico town. He spends his days digging a hole in his front yard, which was intended to be a Sisyphean allegory for his inability to process or move on from the horrors of war. However, it's essentially just 40 minutes of a man silently digging a hole interspersed with flashbacks of harrowing village massacres; featuring a lof of Koreans, [[China\|Chinese]] and [[Japan\|Japanese]] actors playing Vietnamese families. About halfway through the movie, a foul-mouthed paraplegic woman called [[Jenny]] shows up who manages to connect with Badger and bring him out of his shell. After they take acid and have awkward sex in the hole - a bizarre scene in which Badger's penis intermittently turns into a bayonet - Jenny reveals herself to be a marine from his old unit who is undergoing gender reassignment treatment. At the denouement, we learn that Badger never made it out of Vietnam alive and the entire movie has been one long 120-minute death hallucination. The film ends with Badger walking down into his hole, where we see the flames of hell burning in the distance. His final word, and the only line of dialogue, is "[[Simon]]", which is never explained but has been over-analysed in graduate media studies theses ever since.}}

	==Classicvinewood.com's comments==		==Classicvinewood.com's comments==

A-Dust at 19:21, 2 April 2014

2014-04-02T19:21:19Z

← Older revision		Revision as of 19:21, 2 April 2014
Line 7:		Line 7:
	==Classicvinewood.com's description==		==Classicvinewood.com's description==
	{{quote\|"Post Traumatic Stress Disorder at its very shallowest"		{{quote\|"Post Traumatic Stress Disorder at its very shallowest"
	An experimental filsurrealist film, entirely self-financed by Dreyfuss at the height of his drug use. Universally lambasted by critics in the 1970s, "Bury Me" was resurrected and misinterpreted as cool by nerds and hipsters in the early 2000s and is now widely accalaimed as a classic. Badger McGinnis, played by a young Bill Anthony, is a [[Vietnam]] veteran who lives a hermitic existence in a remote New Mexico town. He spends his days digging a hole in his front yard, which was intended to be a Sisyphean allegory for his inability to process or move on from the horrors of war. However, it's essentially just 40 minutes of a man silently digging a hole interspersed with flashbacks of harrowing village massacres; featuring a lof of Koreans, [[China\|Chinese]] and [[Japan\|Japanese]] actors playing Vietnamese families. About halfway through the movie, a foul-mouthed paraplegic woman called [[Jenny]] shows up who manages to connect with Badger and bring him out of his shell. After they take acid and have awkward sex in the hole - a bizarre scene in which Badger's penis intermittently turns into a bayonet - Jenny reveals herself to be a marine from his old unit who is undergoing gender reassignment treatment. At the denouement, we learn that Badger never made it out of Vietnam alive and the entire movie has been one long 120-minute death hallucination. The film ends with Badger walking down into his hole, where we see the flames of hell burning in the distance. His final word, and the only line of dialogue, is "[[Simon]]", which is never explained but has been over-analysed in graduate media studies theses ever since.		An experimental filsurrealist film, entirely self-financed by Dreyfuss at the height of his drug use. Universally lambasted by critics in the 1970s, "Bury Me" was resurrected and misinterpreted as cool by nerds and hipsters in the early 2000s and is now widely accalaimed as a classic. Badger McGinnis, played by a young Bill Anthony, is a [[Vietnam]] veteran who lives a hermitic existence in a remote New Mexico town. He spends his days digging a hole in his front yard, which was intended to be a Sisyphean allegory for his inability to process or move on from the horrors of war. However, it's essentially just 40 minutes of a man silently digging a hole interspersed with flashbacks of harrowing village massacres; featuring a lof of Koreans, [[China\|Chinese]] and [[Japan\|Japanese]] actors playing Vietnamese families. About halfway through the movie, a foul-mouthed paraplegic woman called [[Jenny]] shows up who manages to connect with Badger and bring him out of his shell. After they take acid and have awkward sex in the hole - a bizarre scene in which Badger's penis intermittently turns into a bayonet - Jenny reveals herself to be a marine from his old unit who is undergoing gender reassignment treatment. At the denouement, we learn that Badger never made it out of Vietnam alive and the entire movie has been one long 120-minute death hallucination. The film ends with Badger walking down into his hole, where we see the flames of hell burning in the distance. His final word, and the only line of dialogue, is "[[Simon]]", which is never explained but has been over-analysed in graduate media studies theses ever since.}}

	==Classicvinewood.com's comments==		==Classicvinewood.com's comments==

A-Dust: New Page: "{{also|You may be looking for Bury Me Deep Inside, a song by Love Fist.}} '''Bury Me''' is a film in the HD Universe released in 1977. The film is directed by Peter..."

2014-03-29T00:34:16Z

New Page: "{{also|You may be looking for Bury Me Deep Inside, a song by Love Fist.}} '''Bury Me''' is a film in the HD Universe released in 1977. The film is directed by Peter..."

New page

{{also|You may be looking for [[Bury Me Deep Inside]], a song by [[Love Fist]].}}
'''Bury Me''' is a film in the [[HD Universe]] released in [[1977]]. The film is directed by [[Peter Dreyfuss]] and stars [[Bill Anthony]].

==Cast==
*[[Bill Anthony]] as [[Badger McGinnis]]

==Classicvinewood.com's description==
{{quote|"Post Traumatic Stress Disorder at its very shallowest"
An experimental filsurrealist film, entirely self-financed by Dreyfuss at the height of his drug use. Universally lambasted by critics in the 1970s, "Bury Me" was resurrected and misinterpreted as cool by nerds and hipsters in the early 2000s and is now widely accalaimed as a classic. Badger McGinnis, played by a young Bill Anthony, is a [[Vietnam]] veteran who lives a hermitic existence in a remote New Mexico town. He spends his days digging a hole in his front yard, which was intended to be a Sisyphean allegory for his inability to process or move on from the horrors of war. However, it's essentially just 40 minutes of a man silently digging a hole interspersed with flashbacks of harrowing village massacres; featuring a lof of Koreans, [[China|Chinese]] and [[Japan|Japanese]] actors playing Vietnamese families. About halfway through the movie, a foul-mouthed paraplegic woman called [[Jenny]] shows up who manages to connect with Badger and bring him out of his shell. After they take acid and have awkward sex in the hole - a bizarre scene in which Badger's penis intermittently turns into a bayonet - Jenny reveals herself to be a marine from his old unit who is undergoing gender reassignment treatment. At the denouement, we learn that Badger never made it out of Vietnam alive and the entire movie has been one long 120-minute death hallucination. The film ends with Badger walking down into his hole, where we see the flames of hell burning in the distance. His final word, and the only line of dialogue, is "[[Simon]]", which is never explained but has been over-analysed in graduate media studies theses ever since.

==Classicvinewood.com's comments==
*scubtukkect (1/10): WTF!!! Even on strong acid this makes no sense. At all.
*rottentoes (3/10): That pile of burning babies in the jungle is a bit much. Seriously.
*pencilrichard (4/10): This was Bill Anthony's over-acting debut.
*dollyflowaah2 (1/10): I felt like throwing myself into that hole after the first ten minutes.
*sniffmagroin (8/10): I love that it's so meaningless it can be interpreted in a limitless number of ways. That's what 70s film is all about.
*dirtyjojo86 (5/10): Definitely not a family movie. Bill Anthony still takes himself way too seriously.

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