Rochell'le: Difference between revisions
(New page: '''Rochell'le''', derided as "The Cheerleader of Hip-Hop", was a rapper in the early 1990s. She was parodied by "The Real Rochelle". She was also believed to be dating Madd Dogg. Her n...) |
No edit summary |
||
| Line 1: | Line 1: | ||
'''Rochell'le''', derided as "The Cheerleader of Hip-Hop", | '''Rochell'le''', Often derided as "The Cheerleader of Hip-Hop", the unapologetically blond and bubbly femme fatale' Rochell'le charmed the charts with her hits, "Dreamin'", "My Dream Came True," and "Dream Rap." It wasn't all tea parties and teddy bears, though, when her mettle was tested by The Real Rochelle's parody "Rochell'le, Rochell'le". Rochell'le's swift response, purportedly ghost-written by her purportedly then-boyfriend [[Madd Dogg]], laid her challenger to rest. Titled "Rochell'le's Revenge", Rochell'le (not The Real Rochelle, but the original Rochell'le) lyrically destroyed her similarly-named rival with clear logic: simply, that there could only be one Rochell'le, due to the uniqueness of her name and the unusual apostrophe before the final two letters. | ||
Rochell'le's later albums exploited her, ahem, assets, with steady encouragement from her then manager/producer [[Jimmy Silverman]]. "[[Leg$]]" (1991) and "Dangerous Curves" (1994) followed with declining sales as public interest waned. | |||
{{GTA San Andreas Characters}} | {{GTA San Andreas Characters}} | ||
Revision as of 20:50, 28 December 2008
Rochell'le, Often derided as "The Cheerleader of Hip-Hop", the unapologetically blond and bubbly femme fatale' Rochell'le charmed the charts with her hits, "Dreamin'", "My Dream Came True," and "Dream Rap." It wasn't all tea parties and teddy bears, though, when her mettle was tested by The Real Rochelle's parody "Rochell'le, Rochell'le". Rochell'le's swift response, purportedly ghost-written by her purportedly then-boyfriend Madd Dogg, laid her challenger to rest. Titled "Rochell'le's Revenge", Rochell'le (not The Real Rochelle, but the original Rochell'le) lyrically destroyed her similarly-named rival with clear logic: simply, that there could only be one Rochell'le, due to the uniqueness of her name and the unusual apostrophe before the final two letters. Rochell'le's later albums exploited her, ahem, assets, with steady encouragement from her then manager/producer Jimmy Silverman. "Leg$" (1991) and "Dangerous Curves" (1994) followed with declining sales as public interest waned.